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What Journalism Could Be
Get Free Ebook What Journalism Could Be
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Review
No one knows the journalism studies literature better than Zelizer. This book demonstrates as much. Its chapters show Zelizer masterfully putting the literature to use, rendering its main points, interrogating its blind spots, pushing the field forward. David Ryfe, University of Iowa With her customary rigour and independent zeal, Zelizer has reimagined not just journalism in its moment of crisis and change, but also journalism studies. Her focus on journalism as it is, rather than what we might wish it to be, allows her to imagine realistic ways that the 'traditional' ideas and practice of journalism can now offer the possibilities of creative alternatives to the usual narrative of 'Old' and 'New' news media. Through a close attention to key case studies and a thorough critical analysis of current academic approaches, she makes a compelling case for her key insight: both journalists and journalism scholars must think much more creatively about the vital role of journalism in the context of our challenging local and global public spheres. Charlie Beckett, London School of Economics and Political Science
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About the Author
A former journalist, Barbie Zelizer is the Raymond Williams Professor of Communication, and the Director of the Scholars Program in Culture and Communication, at the Annenberg School for Communication at the University of Pennsylvania.
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Product details
Paperback: 256 pages
Publisher: Polity; 1 edition (January 4, 2017)
Language: English
ISBN-10: 1509507876
ISBN-13: 978-1509507870
Product Dimensions:
6 x 1 x 8.9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#1,361,581 in Books (See Top 100 in Books)
This is essentially a reworking of earlier writings by this author from 1993 to 2013. Three chapters are reworkings of publications from 2013; the rest are drawn from earlier work.Though the author's reworkings often lean forward and at least refer to reasonably contemporary events, the book is not likely to be of much interest to people who are not closely conversant with journalism studies. To make it clear: the book is more oriented to an academic audience than to one composed of people who are interested in commentaries on the current state of, and challenges for, journalism. Add to this the fact that the author's particular interest is in imagination in journalism, and what you have is a book that is likely to be hard going for readers who do not share the author's particular concerns or angle of vision. Though I found some chapters readable and informative--notably the reworking of the author's 2004 piece "Twelve Metaphors for Journalism"--that was more the exception than the rule.
After reading What Journalism Could Be, author Barbie Zelizer writes with much experience in the teaching and understanding of what the field entails. She draws much on the study of the discipline communication and writing and its interdisciplinary cross sections from economics, history, politics, and technology. But most importantly, implementing imagination to create and share information to the public.One wonders how Zelizer goes about to explaining this key factor. She takes five major points that includes the following: one, by craft, which is the creative and innovative side of gathering data in terms of relevance; second, by political environment of news making sources; third, through technology; and fourth and fifth, economic and multi-tasking and moral consideration. These examples may appear practical and sensible, however, within 260 pages of the book, there is more to these five points. The book possesses an academic and scholarly format with sources immersed within each passage, which are helpful if one was using the book as a resource for research. There are interesting points that Zelizer makes, especially readers of the subject of history and how it intertwines with communication and journalism. She asserts that historiography may be modified by collective memory and the historian’s perspective and purpose somewhat similar to how journalists write and also exhibit when news stories are shared with the their audience.Zelizer shows that the field of journalism is an ever-changing landscape that experiences transitions when imagination is a part of the creative process and that is not at all one-sided but also glares at other fields of understanding when information is disclosed to readers, be it written or shown through various media outlets. And by the time one concludes the last chapter, she is speaking to the community of academics.
This is an academic text, not likely to be interesting to people who are interested in how current events have turned journalism upside down. These essays were mostly written (in 1993 in one instance) between the years 2003-2013. That doesn't make them irrelevant, certainly they are about the history of journalism, but the world and journalism changed in the last 18 months. Everything changed. Interestingly, I am glad to no longer be a journalist and to no longer teach journalism because frankly, I wouldn't know where to start.Right now, journalism is essentially made up of Dan Rather's News and Guts and Rachel Maddow's The Rachel Maddow Show.This book is about traditional understandings of journalism. I was hoping this book would be especially timely in today's world where journalism was turned on its head and accused of being fake news while false information was worshipped as the bottom line. Real journalists turned their heads aside while outright lies were repeatedly told. Nothing prepared any of us for this world.This book emphasizes the imaginative thinking concept of journalism. It discusses the Watergate scandal but then follows it up with the modern Murdoch news Empire scandal. So this book is both timely and completely left behind. I found it excruciating to try to read this now.
This isn't a quick or light read, so be aware. Right off the bat, there are references to Marxist media critic and philosopher Raymond Williams, so you know where they are coming from. The book is a series of separate but related essays that examine various aspects of journalism that are in flux today. Of particular interest to me was the one on photojournalism which pointed out the many ways that photography can enhance journalism or deceive, using examples from recent years. Those in the business or aspiring to be In the field will probably get more out of this than the casual or interested reader, but there is still enough to make it worthwhile for anyone who is concerned with the many challenges facing those who report the news and those of us who "consume" the news.
Too pontificating for my tastes, like some scholarly type wrote it. I sort of knew this going in, but I expected that it may catch my interest and really be something different. Instead, I think it should more likely appeal just to those really into journalism and studying journalism. As some of the other reviewers have mentioned, it just seems like the info is old and not very creative. It may appeal to others who are trying to break into the field.
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